Painter, sculptress and photographer, she was borne in Milan (Italy) and she works in Contemporary art. Artworks with a very strong visual impact characterized by charming elevations and intense colors, where stands out gold, bronze and silver, often counterpose to red and black. Vibrant contrasts also in her photography, in the way to replace the matter parts of her painted works. Alternation of pure shapes and sinuous figures concerning the sculptures.
Pushed from her passion for art and from her talent in hand-drawing since she was a child, she directed her studies towards “Umberto Boccioni” school of art in Milano, where she achieved her diploma.
Her interests in arts always moved to open her horizons, extending her personal know-how towards autodidact and not insights. For example she turned her attention on the “air painting”: a technique that allows she to experiment new graph-illustrative sensations.
The communication innate in art, and also in the world-self, will push her also in to embrace in its broadest sense – continuing her studies in the creative fields achieving a degree in Art Direction.
So her gestures, instinct and the rough-unclean signs will become more mature, precise and “conscious”. This was “art” for her: the art of being able “to make visual” anything deserves to been watched… the art of to create art by different techniques and gender.
So she started in that way from 1996 to satisfy disparated requests of all kinds and dimensions drawed subjects, ranging from charcoal and chalk nudes to SANGUIGNA and pencil portraits, oil painted and water-colored landscape in bloom, gypsum and loam sculptures and images realized by air-painting method.
The suppleness/flexibility that characterized Daniela, always let she able to find different/multiple arts places… culminating toward “HER ART’S CHOICE”.
All subjects, even if maintaining a recognizable core identity, report to the state of mind and to the concept that the Artist wants to communicate at the moment she decides to let LIVE one of her creations: the choice of colors, materials and perspective views results shaped on the meaning that she attributes to it.
At scenic level her landscapes look like “visions” with recurrent particulars: raised, glimpses, techniques and colors that constantly aim at gold and silver, a few touches of bronze, black and dark-red.
Also THE SANDINGS use to contribute in marking her art-works: for example the ones nearly “zebra-style” of the nudes where those follows the bodies anatomy, or the ones that delineate subjects in other artworks. Some backgrounds manifest in monochrome spreads taking a brilliant silk-fabric-effect despite it’s just painted… others ripple to let live more complex weaves.
But in each of the artworks, always and however, we can taste the harmony of the “strong and clean” intuition join a technical capacity with she realizes all.
Life is my white canvas. My mind, a tasteful tool.
Daò